I'm a photographer and digital media artist whose practice examines the politics of image-making in contested geographies, particularly Israel/Palestine. I work across 3D modeling, mapping, drone photography, and archival research to examine photography's entanglements with colonial and territorial politics.
I'm an Assistant Professor of Photography at Parsons School of Design, The New School.
The Tashlikh is a customary Jewish atonement ritual performed at a natural body of flowing water on the Jewish New Year. During Tashlikh, the worshipers symbolically throw their sins into the water.
The Days of Awe of the Jewish year 5781 are coinciding with trying times. This year, our interconnectivity as social beings is being challenged while we are also experiencing collective efforts of personal and social redemption, efforts to create just societies. There is no better time to reflect on and to rid ourselves of our individual and shared sins than the days leading to Yom Kippur, in preparation and expectation for a better year to come.
In Tashlikh Atlas, visitors are encouraged to reflect on the things they wish to let go of for the new year, both personally and socially. The website will determine visitors’ geographic location and invite them to cast off a short text to a nearby body of water. Visitors can explore bodies of water around the world to see all contributions. The accumulated content will be viewable online through the end of Sukkot and will then be washed away.
While I recognize the importance and impact of direct action against Israeli cultural institutions, I see my role in working to mobilize shame from within. I feel compelled to remain in conversation with that place and those who must reckon with it, even as each opportunity involves its own shame.
In this article, Noam Gal pays tribute to Allan Sekula’s essay “The Body and the Archive” (1986), analyzing the creative practice of two contemporary camera artists, Tomoko Sawada and Shabtai Pinchevsky, and the various social concerns their works evoke.
Can a Self-Driving Car Navigate an Apatheid Road will be screened at the Artport Artist Film Festival in Tel Aviv and Jerusalem.
The First Trail will be exhibited as part of Counter Landscape, curated by Karmit Galili, at Magasin III in Jaffa.