Artist Statement

I'm a digital media artist and photographer working in the intersection of architecture, archives, technology, and politics. My works are self-interrogations that are threaded into subjects of a larger scale – the myths, landscapes, taboos, and images that form the foundations of identity and place.

In my works, I use digital tools to create augmented, site-specific, representations of contested landscapes and geographies in the history of colonization in Palestine. I create layered and juxtaposed virtual spaces in order to critically examine the ways in which image-making and photography not only contribute to the Zionist colonial projects, but were also affected by the tasks they lent themselves to.

My practice encompasses many tools, disciplines, and media. I work with archival material, mapping practices, writing, simulated videos, three-dimensional digital modeling, and more. Working in a three-dimensional digital environment allows me to step outside the photographic pyramid of vision, and study the complications and entanglements of the medium, as an outside witness. By employing a diverse set of technological and conceptual tools, I am able to closely interrogate historical and contemporary visual material and reconsider the context of their creation.

In my research projects, I often study and work with historical material, not to evoke nostalgia, but to find sources for the contemporary entanglements that serve as my departing points. I make my work in order to embody and personify the complexities of living, working, and creating, under the social and political landscape of post-colonial states. While I do not intend my works to resolve, I do hope that they serve, for audiences and me, as a small step in the long path of correction.
Within the field of research-based art, my interest extends from the practice of research to its placement within the public domain. I believe that research should not be limited to the discovery or creation of exclusive artifacts, but should be engaged with the creation and dissemination of knowledge, which in turn can lead to public action, acknowledgment, and inclusion. In this way, I see my practice as politically engaged.

My most recent works engage with their subject matter using texts and my own voice. My written texts place me, their speaker, in an immediate role within the context of the works. I’m not an outside observer, but an implicated actor within the territories I explore. My writing has been a way to inform objects that otherwise might be expected to ‘speak for themselves’. In my practice, I’m committed to unabashedly formulating a political and moral stance using images and words.